“No
painter’s brush, nor poet’s pen; injustice to her fame, has ever reached half
high enough to write a mother’s name.”
Being a mother is the most hardworking field women would
enter. It is a job that requires patience and perseverance nevertheless; it is
the highest salaried occupation since the payment is pure love. It is giving up
even the bread which you are about to consume just for your children to be
satisfied – a life-long gift and curse. Motherhood is sacrificing everything
you have – jewelries, clothes, fame and fortune – merely for your offspring to
be happy.
Our national hero, whose letters and deeds are inscribed
on the pages of history – Dr. Jose Rizal –, had clearly stated on one of his
diaries the greatness of mothers. “Without her (mother) what would have become
of my education and what would have been my fate? Oh yes! After God the mother
is everything to man.” These words show Rizal’s reverence and importance given
to them. Her diligent mother, Teodora Realonda Alonzo y Quintos, taught him how
to read, she taught him how to stammer the humble prayers which they addressed
fervently to God and imparted him morals and values which he lived in every day
of his life. The boy Rizal grew up to be one of the most influential
personalities in history.
His devotion is expresses not by bloody war or swords
clashing but by his wisdom and quill pen and he was able to come up with two
great novels – Noli Me Tangere (Touch Me Not) and El Filibusterismo (The
Filibustering or commonly known as The Reign of Greed). These wonderful
masterpieces portray the status of the Philippine Islands during the Spanish
regime. It is a story about the oppression of the Spanish friars and government
officials whose main role is to torture and to treat Filipinos or “Indios” as
they call them, as slaves. With this, Dr. Jose P. Rizal placed notable
characters on his wonder-work. One of them is a woman with great love for her
family. Noli Me Tangere would not be complete without her portrayal. This role
was one of the retribution of Rizal to the women of that time. He made this
character a significant part of the life of Filipinos.
She was a simple woman but with great faith to God. Words
that fall from her lips were not harsh languages nor scandalous verbalism but
prayers and humble thoughts. She lived in a small cottage outside the skirts of
the town. The characteristic Rizal painted for her was to be a martyr - a woman
who had endured many punishment, embarrassment and tribulations for her dearest
family. She was someone who would offer her very own life for her precious
treasures. She wanted the best for her children. Hard beatings and not loving embraces did she
received from her husband, yet she still loved him. The woman treated her
wedded man as her master and her children as angels.
Rizal
made use of this character to illustrate the love of mothers. An unconditional
love who does not care even if her own life would be ruin, one who does not
seek one self’s pleasure but for the dearest to her - the mother who would
kneel before everybody and humiliate herself - moved by her emotions towards
her family. These similarities given by Jose Rizal represent the Motherland
herself, the Philippines.
The Philippines is
the mother of all Filipinos, the benefactor and the caring. Rizal disguised her
by one of the main characters of Noli Me Tangere. The Gurdia Civil and Spanish
friars’ insulting words and terrible punishment signifies without doubt, the
situation of the Mother Country. She was tyrannized and humiliated as her sons
were persecuted too. The country was once rich, a beauty of nature, but when
the foreign invaders colonized and influenced her, she lost her complete
sanity. The Spanish people kept the Filipinos – her own children – away from
her. She longed for them, uncertain of the misfortunes that befall them. Her
sons imply the characteristic and personification of the Filipino citizens.
They maltreated them and bade them to do unbearable tasks. Life would much be
easier if these greedy aliens will give what is just to the Filipinos.
I can align my life with the good examples of this
character even as a student. She represents pictorially a portrait of the idea
of patriotism. She wanted to witness how her sons and daughters would someday
rise up to be successful individuals. Similarly, the Mother Country herself,
desires her children to rise up from the underestimation and insults of the
foreign countries. As much as I do, I wish the Philippines would be listed as a
nation united together and a country prosperous throughout the world. Our land
would be the center of economical progress and livelihood education. We,
Filipinos should commit ourselves in the apostolate of the religious to empower
the underserved to claim their human dignity and their right to total human
development.
Being a hardworking pupil, I can express my deepest
devotion to the loving Motherland through pastoral works that encourages and
uplifts religious commitment which is the ultimate deed above all. Also,
through excellence in communicative and reflective skills in the facets of life
as a result of relevant and meaningful learning experiences, I can impart the
knowledge I obtained to instruct the ignorant for the improvement of
individuals and the academic community.
The reign of Spanish colonization illustrates the iron
fists that clasps the fetter attached to the Mother Land. They kept her as a
prisoner, a mother suffering from the unjust verdict of the foreigners. Cold
death will be much sweeter than to stay with those unruly outsiders.
The country still suffers to the relative to the values
of the foreign powers which had previously subjugated them through colonization
and is commonly known as colonial mentality. This is one of the influences the
foreign left us. Colonial mentality is the thinking that foreign talents and
products are always the good, the better, and the best, and that the local ones
are of poor or no quality at all. Colonial because our Spanish and American
colonizers, during their four-century rule of the Philippines, instilled into
the Filipino mentality the belief that foreigners and anything associated with
them were the superior, and that Filipinos and anything associated with them
were worthless. But it is not true that we Filipinos admire and patronize
nothing but foreign talents and products only. We watch local movies and
television shows. We adore our movie stars, singers, television personalities,
artists, scientists, athletes, professionals, magnates, leaders, and other
talented countrymen. We use Calabarzon-manufactured household appliances, read
Manila-printed books, wear Marikina-made shoes, drink Batangas coffee, own
Laguna carvings, and display Ilocos pottery.
Our task in
terms of the national economy in our homeland should be to think FILIPINO FIRST, as
other nations rightly do think of and for themselves in their own homelands. But of course, our "Filipinism" has to be
different from the selfish individualism (lacking in social concern) of the
native businessmen/entrepreneurs of the past who used nationalism to advance
solely their own private interests. This latter danger can be prevented by
nationalistic mass education; since knowledge should not be an
exclusive domain of the middle class and socioeconomic elite.
It is only with a nationalistic consciousness in
his mind and heart will the Filipinos be able to fight, deal and work with
utmost determination for our own betterment, those of our children and
grandchildren; and consequently of our homeland.
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